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Introducing Courtyard House III (CH3) for RATHAUS / RATHAUS —an artist residence, workspace, and micro-cinema in Little ...
07/30/2026

Introducing Courtyard House III (CH3) for RATHAUS / RATHAUS —an artist residence, workspace, and micro-cinema in Little Village Little Village, Detroit.

CH3 extends Dash Marshall’s Domestic Futures research into vernacular typologies, exploring how familiar forms can be reworked to project new futures. Neither simply a theater, arts institution, nor residence, it is conceived as a house for film.

The architecture transforms the gabled house, porch, courtyard, and living room into a cultural building that is intimate, useful, and civic. Three pitched-roof volumes rotate into a pinwheel around a central courtyard, creating what we call formal instability: the building never resolves into a single fixed image. From one angle, it appears low and stretched across the site; from another, it gathers into the familiar outline of a house.

The entry aligns with Little Village’s central axis through the Bridge House, extending the campus westward and reinforcing its cultural corridor. Rooted in the neighborhood’s scale, materials, and network of houses, gardens, studios, and gathering spaces, CH3 is designed to belong without disappearing—familiar in its parts, but singular as a whole.

The pinwheel plan brings the residence, screening room, gallery, kitchen, foyer, and courtyard into close relationship. Their adjacency supports focused work and informal encounter, while the courtyard becomes a garden, shared living room, and open-air cinema.

CH3 is more than a residence for filmmakers—a place where living, creating, and viewing are woven together.



Architecture: Dash Marshall dashmarshall
Interior Design: PTD ptd
Structure: Atlantes
MEP: PA Collins
Audio Visual: LSTN LSTN Consultants

Interior Renderings: Bloom Images bloomimages
Exterior Renderings: Dash Marshall

We’re honored to share that our Detroit Courtyard House has been featured in The New York Times in a thoughtful piece by...
07/16/2026

We’re honored to share that our Detroit Courtyard House has been featured in The New York Times in a thoughtful piece by diana budds, exploring new models for domestic life in Detroit.

The project marks the completion of Courtyard House 1 (CH1)—the first realized project in Domestic Futures, an ongoing body of research at Dash Marshall that reimagines vernacular housing forms to respond to emerging patterns of living, care, and community. Each project draws on the intelligence of vernacular typologies to project new futures for familiar forms.

For CH1, we began with two enduring housing types: the courtyard house and the urban loft.

The house is organized as a circular enfilade, with its primary spaces arranged around and looking into a central courtyard. The courtyard draws daylight and cross ventilation deep into the plan while creating a protected outdoor room that becomes part of everyday domestic life. Borrowing from the openness of the loft, the plan prioritizes flexibility over predetermined rooms. Rather than separating spaces with doors, subtle shifts in threshold conditions create moments of distinction while maintaining visual and spatial continuity—you can be alone and together at the same time.

The building’s four exterior corners are carved inward to create generous overhangs, reading as dolmens if you’re an architecture nerd, or porches if you’re a neighbor.

Courtyard House 1 is the first completed project in the Domestic Futures series, with additional houses currently in design and construction.

Photography: Jason Keen (Jason Keen)
Styling: Sara Ridky
Millwork: Donut Shop
Landscape Architecture: SAW (SAW // Spiegel Aihara Workshop)

Construction Fictions: RFIs as ImagesGenerated directly from the construction document model for Long Island Courtyard H...
05/15/2026

Construction Fictions: RFIs as Images

Generated directly from the construction document model for Long Island Courtyard House ( ), these images were originally produced as part of field RFIs and coordination with the GC. Removed from their technical context, they begin to operate somewhere between construction document, rendering, and architectural fiction.

Recently exhibited in Pratt Institute’s “Levers Long Enough.”

Special thanks to Andrew Holder for the invitation.

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20 Jay Street, Suite 204
New York, NY
11201

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