09/26/2026
Seven houses we've built.
One designed around an artist's studio. One named for the wall of glass at its front. A 1950s house taken down to its bones and rebuilt.
Put them side by side and they have almost nothing in common. A custom home is supposed to look like the family it was built for, not like the builder who built it.
What carries across all seven is the part that doesn't photograph. The same approach to sequencing, to selections, and to what happens when something on site doesn't match what's on the drawing.
If you're thinking about building or remodeling, the most useful thing you can do is talk to people who have already been through it. We keep a list of past clients and their phone numbers, and we hand it over when someone asks.
In order:
1. Artesia, built around an artist's studio. Architecture by MHK Architecture.
2. Glas Haus, named for the glass front that gives it its face. Architecture by MHK Architecture, interiors by ID Studio Interiors.
3. Stoneywall Manor, a 1950s home completely renovated. Architecture by Pelham Architects.
4. Quail Ridge, 5,571 square feet under 23-foot ceilings. Architecture by Tindall Architecture Workshop, interiors by ID Studio Interiors.
5. Summit Ridge, fieldstone and cedar on Paris Mountain. Architecture by Wright Design, interiors by EE Interiors.
6. Brookside, an infill cottage off Augusta Road. Architecture by Croft & Associates.
7. The Aurora, 4,272 square feet with a custom floating staircase. Architecture by MHK Architecture, interiors by ID Studio Interiors.