La' Maison Studio

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La' Maison Studio "Our Teamwork makes your Dream Work as we transform your House to Home" Selections for venue services are located in "Products" on this page.

Deven Cavalier offers 20 years of experience working with Residential Builders and Homeowners in design selections for New Construction Homes and Remodeling, bringing their plans from a "House to Home." Together with her husband, they offer 60 years of skilled professional services in Residential needs. Along with her skill for good design, she also offers a Venue service for Formal Events at a location of your choice including Outdoor Events. Her ability to mix colors, styles, fabrics, prints and patterns are unprecedented. Her clientele has been built on the recommendations from years of pleased customers who continously recall her opinion on decorating items for their home.

*** Wedding Ceremonies are only hosted for those who are permitted by the Louisiana State Law of Covenant Marriages consisting of One Man and One Woman, which includes Weddings or Anniversaries, based on United States of America Constitution of Religious Freedom. ***

09/29/2026

Queen Henrietta Maria's 1645 handwritten letter to Architect John Webb; 8th generation ancestor of Royalty.

"Having had on so many occasions important proofs of your affection for me that I would do injustice to my feelings if I did not take every means in my power to let you know my gratitude... And particularly for that latest obligation which I have towards you for the assistance of the monies which you have offered... I will never forget this generosity..."

"Henriette Marie R"
July 23, 1645

Webb Designs for The Royal Return of the QueenDuring the Civil War, Henrietta Maria moved to France for safety, and it w...
09/29/2026

Webb Designs for The Royal Return of the Queen

During the Civil War, Henrietta Maria moved to France for safety, and it was from here, in 1649, that she heard of her husband’s ex*****on. She remained in France until the Restoration, when her son Charles II regained his position as King of England in 1660.

Following the Restoration of the Monarchy in 1660, Queen Henrietta Maria returned from exile in France. Her son, King Charles II, commissioned John Webb to restore, repair, and expand the Greenwich estate specifically to serve as his mother's grand dower residence.

The iconic villa had originally been designed as a split building shaped like an "H" by Inigo Jones to span across the old Greenwich-to-Woolwich royal highway. To give the Dowager Queen more space, Webb bridged the gap on the upper level, building new rooms directly over the central roadway to fully unify the structure.
While the house was extended for Henrietta Maria, her actual stay was brief. Shortly afterward, the house accommodated Charles II's new bride, Queen Catherine of Braganza, cementing its ongoing status as a palace for England's queens.

• The Portland Stone Exterior
Webb used the exact same white Portland stone as the original building. He perfectly duplicated Inigo Jones’s classical ionic window borders and stone balustrades along the roofline, making it virtually impossible for someone standing outside to tell where the original house ended and his new addition began.

• The Loggia & Internal Courtyard: By spanning over the central gap, Webb effectively enclosed the space below. The old, open roadway was transformed into a beautiful, intimate internal courtyard on the ground level, surrounded by classical arched loggias (shaded open walkways) that allowed light to filter deep into the palace.

• The Royal Cabinet & Apartments: On the newly constructed upper level, Webb designed a series of private apartments for the Dowager Queen. These rooms featured intricate, heavily gilded plaster ceilings and deep window alcoves looking down toward the formal grounds and the River Thames

Gunnersbury House (Middlesex)John Webb designed this highly influential classical villa in 1663, which became a blueprin...
09/29/2026

Gunnersbury House (Middlesex)
John Webb designed this highly influential classical villa in 1663, which became a blueprint for future generations of British country architects. This is one of his drawings and why he was the finest architects in his period.

Belvoir Castle (Leicestershire) Following its destruction in the English Civil War, John Webb was hired to completely re...
09/29/2026

Belvoir Castle (Leicestershire)
Following its destruction in the English Civil War, John Webb was hired to completely rebuild the fortress into a majestic, large family home between 1654 and 1668.

Amesbury Abbey (Wiltshire)Considered by architectural historians to be one of Webb's finest, pure classical country hous...
09/29/2026

Amesbury Abbey (Wiltshire)

Considered by architectural historians to be one of Webb's finest, pure classical country houses, it featured perfectly balanced Palladian windows and smooth ashlar stone facades.

The Vyne (Hampshire)Between 1654 and 1656, Webb designed a Corinthian portico (a grand, columned front porch) for this o...
09/29/2026

The Vyne (Hampshire)

Between 1654 and 1656, Webb designed a Corinthian portico (a grand, columned front porch) for this older Tudor mansion. This was the very first classical portico built on an English domestic house. It was a revolutionary addition that introduced the classic "temple front" look to English domestic residential architecture.

09/29/2026

John Webb’s connection to Andrea Palladio represents one of the most critical transitions in British architectural history and reaching to Ameri an architectural buildingsand homes.

Webb became a master of Neo-Palladian style through a unique lineage of mentorship, inherited masterworks, and close study of Palladio's foundational texts.

The Mentorship Chain: Palladio to Jones to Webb
• The Italian Origin: In 1570, the Italian Renaissance master Andrea Palladio published his definitive treatise, I Quattro Libri dell'Architettura (The Four Books of Architecture). It outlined strict classical rules of proportion, symmetry, and temple-front porticos adapted for residential villas.

• The English Conduit: Between 1613 and 1614, the legendary English architect Inigo Jones traveled through Italy. He acquired a personal copy of Palladio's treatise, heavily annotating it in the margins while studying Palladio's buildings firsthand in the Veneto region. Jones returned to England to introduce this revolutionary classical symmetry to a landscape heavily dominated by medieval and Tudor styles.

• Webb's Training:
In 1628, a young John Webb became Inigo Jones’s trusted assistant and apprentice. Jones trained Webb directly in the strict mathematical formulas, perspective drawings, and classical orders passed down from Palladio.

When Inigo Jones passed away in 1652, he bequeathed his substantial fortune, his office drawings, and his extensive personal library directly to John Webb.

Palladio’s principles and Jones's notes, Webb achieved major architectural milestones that cemented the Palladian style.

The Double Cube RoomWilton CastleCreated around 1653 by John Webb and his uncle-in-law Inigo Jones, the Double Cube Room...
09/29/2026

The Double Cube Room
Wilton Castle

Created around 1653 by John Webb and his uncle-in-law Inigo Jones, the Double Cube Room is widely considered one of the finest Neo-Palladian interior spaces in England. Measuring exactly 60 feet long, 30 feet wide, and 30 feet high, its white pine paneled walls are lavishly adorned with heavy gilded swags of fruit and foliage. The room was specifically designed to frame a collection of family portraits by Sir Anthony van Dyck, which are still integrated directly into the wall paneling today.

09/29/2026

John Webb (1611–1672) was one of the most significant English architects of the 17th century. As the premier student, assistant, and artistic heir to Inigo Jones, Webb was a pioneer of Palladian classical architecture in England—bringing strict Roman geometry, symmetry, and grand proportions to British country estates long before the style became a national trend in the 1700s.

His career shifted from private country estates during the English Civil War to Grand Royal commissions under King Charles II.

1. Stately Country Homes & Masterworks

• Wilton House (Wiltshire): Following a devastating fire in 1647, Webb rebuilt the grand interiors of this famous estate. He designed the world-renowned Single Cube and Double Cube rooms. These spaces are masterpieces of Baroque interior architecture, featuring heavily carved, gilded wood paneling, massive marble fireplaces, and painted coved ceilings designed perfectly to showcase the family's Van Dyck portrait collection.

• The Vyne (Hampshire): Between 1654 and 1656, Webb designed a Corinthian portico (a grand, columned front porch) for this older Tudor mansion. This was the very first classical portico built on an English domestic house. It was a revolutionary addition that introduced the classic "temple front" look to English domestic residential architecture

• Amesbury Abbey (Wiltshire): Considered by architectural historians to be one of Webb's finest, pure classical country houses, it featured perfectly balanced Palladian windows and smooth ashlar stone facades.

• Belvoir Castle (Leicestershire): Following its destruction in the English Civil War, Webb was hired to completely rebuild the fortress into a majestic, large family home between 1654 and 1668.

• Gunnersbury House (Middlesex): Webb designed this highly influential classical villa in 1663, which became a blueprint for future generations of British country architects

2. Royal & Public Masterpieces
• Greenwich Palace / King Charles Block (London): Following the Restoration of the Monarchy, King Charles II commissioned Webb to completely redesign Greenwich Palace in a grand, contemporary Baroque style. While the king's grand vision of a massive three-sided palace was downsized due to funding, Webb completed one magnificent wing between 1664 and 1669. Today, it stands as the King Charles Block and was beautifully incorporated by Sir Christopher Wren into the Royal Naval College.

• The Queen's House (Greenwich): Webb returned to the famous villa originally designed by his master, Inigo Jones, and designed a highly sensitive, seamless structural enlargement to the property in 1662

3. Structural Style and Innovation

Webb’s buildings stand out from those of Inigo Jones due to his bolder use of rustication—giving structural stones a rough, heavily textured finish to create high-contrast shadows on building facades. He was also an expert in theatrical set design, a skilled scholar who authored early treatises on Roman architecture, and the caretaker of the drawings that kept classical architecture alive in England during a time of immense political turmoil.

  An Italain architect that my ancestors had the privilege of handling his notebooks and blueprints that built castles, ...
09/29/2026



An Italain architect that my ancestors had the privilege of handling his notebooks and blueprints that built castles, theaters and world renowned gardens. Palladio's books are on my own desk today.

Palladio's Mentor was Gian Giorgio Trissino, who introduced him to Roman Architecture by accompaning him to Rome to measure and sketch real ancient Roman ruins (1541-1545).

Andrea Palladio studied the writings and design principles of the ancient Roman Architect and Engineer, Vitruvius (Marcus Vitruvius Pollio), who lived in the 1st century BC during the Roman Republic and early Empire.

This Roman Architecture has carried into America's finest designed homes and throughout the world today.

The First Major Structure in America was the Drayton Hall built for John Drayton starting in 1738 and completed 1752. It stands as the earliest Palladian architecture in North America from Andrea Palladio's 16th-century Italian treatises. While 1738 marked its arrival in architecture via South Carolina, the style experienced massive nationwide peak and into the Founding Fathers—specifically Thomas Jefferson.

Thomas Jefferson famously called Palladio's work his architectural "Bible" and applied it to Monticello and public civic buildings. It was the "Villa La Rotonda" that was the inspiration for Jefferson's famous home Monticello. He read in the Quattro Libri where Palladio described the villa as “A house that rose on the hill,” which is why Jefferson called his house, Monticello, or "little hill".

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Denham Springs, LA
70726

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Wednesday 9am - 3pm
Thursday 9am - 3pm
Friday 9am - 3pm

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+12256186881

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