āđ€āļŠāđ‰āļ™āļ—āļēāļ‡ āđ€āļ§āđ‡āļšāđ„āļ‹āļ•āđŒ āļ•āļīāļ”āļ•āđˆāļ­ āļ˜āļļāļĢāļāļīāļˆāļ‚āļ­āļ‡āđ€āļĢāļē

WOS Architects Architects, Thailand

EE House in The 50 Best Houses by baanlaesuan . Thank you for having us.
30/09/2026

EE House in The 50 Best Houses by baanlaesuan . Thank you for having us.

Back at ABAC to share a little about life and work after architecture school.Thank you for having us!
08/09/2026

Back at ABAC to share a little about life and work after architecture school.
Thank you for having us!

Mitbury the Public House (WOS Architects + Estudio) in Thailand Architecture in Steel 11Thank you Li-Zenn Publishing for...
21/05/2026

Mitbury the Public House (WOS Architects + Estudio) in Thailand Architecture in Steel 11

Thank you Li-Zenn Publishing for having us.

Mitbury the Public HouseWOS Architects + EstudioASA Excellent Architecture Award 2026 Architecture as a backdropMitbury ...
06/05/2026

Mitbury the Public House
WOS Architects + Estudio

ASA Excellent Architecture Award 2026

Architecture as a backdrop

Mitbury the Public House project was born from the family's aspiration to relocate from the hustle and bustle of Bangkok to reside and run a small business on the serene landscapes of Mae Rim District, Chiang Mai Province. Located between the Mae Rim-Samoeng Road and the Mae Sa Stream, the site is the ancestral land where their old vacation home sits at the center of the plot. So, the new house was located on one side of the plot, on the hilly East side, and the cafÃĐ was on the other side, with unique features including a low-lying valley significantly below road level, gently sloping down to the riverbank.

The project aims to be more than a commercial space, but a place where visitors can appreciate the natural surroundings, the wilderness of the forest, the sound of the stream, and fresh breeze of the mountain. By prioritizing outdoor spaces under the shade of the trees, avoiding any encroachment on the stream, and preserving the original large trees, the buildings must be as compact as necessary.

Given these conditions, the designers opted to place the structure near the roadside, leaving the central area untouched to preserve existing trees. Instead of raising the buildings to the road level to be eye-catching, the buildings were located on the ground level, hidden from above. The entrance is a mere small bridge located under the big existing rain tree, leading the visitors to promenade toward views of the forest and stream. At the end of the bridge, a long staircase descends into a hidden garden below, serving as the project's grand hall. Architecture serves as a backdrop, a wall of this “garden room”.

The structures were divided into three small single-story buildings: (1) the cafÃĐ and kitchen, (2) storage and a staff room, and (3) restrooms, all tied together by a breeze block wall. This breeze block wall is just high enough to screen the storage and restrooms. When looking from the central garden, only the cafÃĐ building is revealed, welcoming visitors with its transparency. The roofs of all buildings are simple gables, carved out to preserve existing trees. The bridge and staircase are designed with a light touch, featuring mesh railings. The architecture is designed to blend with nature, using brown and greenish-grey tones. Inside the cafÃĐ, the same breeze block wall is used, paired with brown terracotta floor tiles and dim lighting from a chandelier accentuating the black antique ticket counter.

Natural materials found on the site were applied to the project. Be it rocks which were repurposed as steps leading to the cafÃĐ, creating a seamless connection between nature and architecture. During the construction of the house, some teak trees inevitably had to be removed. All the logs were kept, with some of them used as flooring material for the bridge and stairs, allowing the material to remain part of the place.

āļžāļ§āļāđ€āļĢāļēāļĢāļđāđ‰āļŠāļķāļāđ€āļ›āđ‡āļ™āđ€āļāļĩāļĒāļĢāļ•āļīāļ—āļĩāđˆāđ„āļ”āđ‰āđ€āļ‚āđ‰āļēāļĢāļąāļšāļžāļĢāļ°āļĢāļēāļŠāļ—āļēāļ™āļĢāļēāļ‡āļ§āļąāļĨāļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāļ”āļĩāđ€āļ”āđˆāļ™ āļ›āļĢāļ°āļˆāļģāļ›āļĩ 2567 āļĢāļēāļ‡āļ§āļąāļĨāļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāļ—āļĩāđˆāļŠāļĄāļ„āļ§āļĢāđ€āļœāļĒāđāļžāļĢāđˆ āđ‚āļ„āļĢāļ‡āļ...
04/05/2026

āļžāļ§āļāđ€āļĢāļēāļĢāļđāđ‰āļŠāļķāļāđ€āļ›āđ‡āļ™āđ€āļāļĩāļĒāļĢāļ•āļīāļ—āļĩāđˆāđ„āļ”āđ‰āđ€āļ‚āđ‰āļēāļĢāļąāļšāļžāļĢāļ°āļĢāļēāļŠāļ—āļēāļ™āļĢāļēāļ‡āļ§āļąāļĨāļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāļ”āļĩāđ€āļ”āđˆāļ™ āļ›āļĢāļ°āļˆāļģāļ›āļĩ 2567 āļĢāļēāļ‡āļ§āļąāļĨāļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāļ—āļĩāđˆāļŠāļĄāļ„āļ§āļĢāđ€āļœāļĒāđāļžāļĢāđˆ āđ‚āļ„āļĢāļ‡āļāļēāļĢ āļšāđ‰āļēāļ™āļ­āļĩāđŠ āļˆāļēāļāļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āļāļ™āļīāļĐāļāļēāļ˜āļīāļĢāļēāļŠāđ€āļˆāđ‰āļē āļāļĢāļĄāļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āđ€āļ—āļžāļĢāļąāļ•āļ™āļĢāļēāļŠāļŠāļļāļ”āļēāļŊ āļŠāļĒāļēāļĄāļšāļĢāļĄāļĢāļēāļŠāļāļļāļĄāļēāļĢāļĩ

āļ‚āļ­āļ‚āļ­āļšāļ„āļļāļ“āļ­āļĩāđŠāđ†āđāļŦāđˆāļ‡āļšāđ‰āļēāļ™āļ­āļĩāđŠ āđāļĨāļ°āļœāļđāđ‰āļ—āļĩāđˆāļĄāļĩāļŠāđˆāļ§āļ™āļĢāđˆāļ§āļĄāđƒāļ™āđ‚āļ„āļĢāļ‡āļāļēāļĢāļ™āļĩāđ‰āļ—āļļāļāļ—āđˆāļēāļ™āļ„āđˆāļ°

āļ‚āļ­āļ‚āļ­āļšāļ„āļļāļ“ āļŠāļĄāļēāļ„āļĄāļŠāļ–āļēāļ›āļ™āļīāļāļŠāļĒāļēāļĄ āđāļĨāļ°āļ„āļ“āļ°āļāļĢāļĢāļĄāļāļēāļĢāļ—āļļāļāļ—āđˆāļēāļ™ āļ—āļĩāđˆāļĄāļ­āļšāļĢāļēāļ‡āļ§āļąāļĨāļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāļ”āļĩāđ€āļ”āđˆāļ™ āļ›āļĢāļ°āļˆāļģāļ›āļĩ 2569 āđƒāļŦāđ‰āđāļāđˆāđ‚āļ„āļĢāļ‡āļāļēāļĢ Mitbury The Publ...
24/04/2026

āļ‚āļ­āļ‚āļ­āļšāļ„āļļāļ“ āļŠāļĄāļēāļ„āļĄāļŠāļ–āļēāļ›āļ™āļīāļāļŠāļĒāļēāļĄ āđāļĨāļ°āļ„āļ“āļ°āļāļĢāļĢāļĄāļāļēāļĢāļ—āļļāļāļ—āđˆāļēāļ™ āļ—āļĩāđˆāļĄāļ­āļšāļĢāļēāļ‡āļ§āļąāļĨāļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāļ”āļĩāđ€āļ”āđˆāļ™ āļ›āļĢāļ°āļˆāļģāļ›āļĩ 2569 āđƒāļŦāđ‰āđāļāđˆāđ‚āļ„āļĢāļ‡āļāļēāļĢ Mitbury The Public House

āđ‚āļ„āļĢāļ‡āļāļēāļĢāđ€āļĨāđ‡āļāđ†āļ™āļĩāđ‰ āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āļĄāļēāđ„āļ”āđ‰āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļ•āļąāđ‰āļ‡āđƒāļˆāļ—āļĩāđˆāļ”āļĩāļ‚āļ­āļ‡āđ€āļˆāđ‰āļēāļ‚āļ­āļ‡ āđāļĨāļ°āļ„āļ§āļēāļĄāļ—āļļāđˆāļĄāđ€āļ—āļ‚āļ­āļ‡āļ—āļļāļāđ†āļāđˆāļēāļĒ āđ€āļĢāļē WOS Architects āđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡āđāļ„āđˆāļŠāđˆāļ§āļ™āļŦāļ™āļķāđˆāļ‡āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™

Chinnamit Bunnag Aum Apisara Javewong āļžāļĩāđˆāļĄāļīāļĐ āļžāļĩāđˆāļ­āļļāđ‹āļĄ āđ€āļˆāđ‰āļēāļ‚āļ­āļ‡āđ‚āļ„āļĢāļ‡āļāļēāļĢāļ—āļĩāđˆāļŠāļąāļ”āđ€āļˆāļ™āđƒāļ™āļ„āļ§āļēāļĄāļ•āļąāđ‰āļ‡āđƒāļˆāļ—āļĩāđˆāļˆāļ°āļŠāļĢāđ‰āļēāļ‡ â€œāļĢāđ‰āļēāļ™āļāļēāđāļŸāđ€āļĨāđ‡āļāđ† āļ—āļĩāđˆāđƒāļŦāđ‰āđāļ‚āļāļ™āļąāđˆāļ‡āļ‚āđ‰āļēāļ‡āļ™āļ­āļāđ€āļžāļ·āđˆāļ­āļŠāļĄāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī” āļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡āđƒāļˆāđāļĨāļ°āđƒāļŠāđˆāđƒāļˆāļ‚āļ­āļ‡āļžāļĩāđˆāļĄāļīāļĐāļžāļĩāđˆāļ­āļļāđ‹āļĄāļ—āļģāđƒāļŦāđ‰āļŠāļ–āļēāļ™āļ—āļĩāđˆāļ™āļĩāđ‰āļžāļīāđ€āļĻāļĐāļĒāļīāđˆāļ‡āļāļ§āđˆāļēāļ—āļĩāđˆāļ­āļ­āļāđāļšāļšāđ„āļ§āđ‰ āļŠāļ§āļ™āļ—āļĩāđˆāļžāļĩāđˆāđ†āđāļĨāļ°āļŠāļ§āļ™āļ™āļ‡āļ™āļļāļŠāļ—āļģāļŠāļ§āļĒāļĄāļēāļāļ„āļĢāļąāļš

āļ”āļļāđŠāļāđāļĨāļ°āļāļšāđāļŦāđˆāļ‡ Estudio interior designer āļ—āļĩāđˆāļĢāđˆāļ§āļĄāļ­āļ­āļāđāļšāļšāļāļąāļ™āļĄāļēāļ•āļąāđ‰āļ‡āđāļ•āđˆāđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™ āđ„āļ›āļ”āļđāđ„āļ‹āļ•āđŒ āļ§āļēāļ‡ concept āđāļĨāļ°āļžāļąāļ’āļ™āļēāđāļšāļšāļāļąāļ™āļĄāļē āļˆāļ™āļŠāđˆāļ§āļ‡āļāđˆāļ­āļŠāļĢāđ‰āļēāļ‡ āļ•āļĢāļ§āļˆāļ‡āļēāļ™āļ•āđˆāļēāļ‡āđ† āļ‚āļ­āļšāļ„āļļāļ“āļ—āļĩāđˆāļŠāļ§āļ™āđ€āļĢāļēāļĄāļēāļ—āļģāđ‚āļ„āļĢāļ‡āļāļēāļĢāļ”āļĩāđ†āđāļšāļšāļ™āļĩāđ‰

āļœāļđāđ‰āļĢāļąāļšāđ€āļŦāļĄāļē āļ•āđ‰āļ™ āļāļĪāļĐāļ“āļ° āļĄāļēāļĨāļēāđ€āļāļīāļ” āđāļĨāļ°āļ—āļĩāļĄāļ‡āļēāļ™ āļ—āļĩāđˆāđƒāļŠāđˆāđƒāļˆāļāļąāļšāļ‡āļēāļ™āļ­āļĒāđˆāļēāļ‡āđ€āļ•āđ‡āļĄāļ„āļ§āļēāļĄāļŠāļēāļĄāļēāļĢāļ– āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āđ‚āļ„āļĢāļ‡āļāļēāļĢāļ™āļĩāđ‰āļŠāļģāđ€āļĢāđ‡āļˆāļĨāļļāļĨāđˆāļ§āļ‡āļ”āđ‰āļ§āļĒāļ”āļĩ

āđāļĨāļ°āļœāļđāđ‰āļĄāļĩāļŠāđˆāļ§āļ™āđ€āļāļĩāđˆāļĒāļ§āļ‚āđ‰āļ­āļ‡āļāļąāļšāđ‚āļ›āļĢāđ€āļˆāļ„āļ™āļĩāđ‰āļ—āļļāļāļ—āđˆāļēāļ™

āļĢāļēāļ‡āļ§āļąāļĨāļ™āļĩāđ‰āđ€āļ›āđ‡āļ™āļ‚āļ­āļ‡āļ—āļļāļāļ—āđˆāļēāļ™āļ„āļĢāļąāļš

Saladaeng House Thank you Living ASEAN for the feature.
08/04/2026

Saladaeng House

Thank you Living ASEAN for the feature.

BBT house renovation  ðŸ”Ļ
19/03/2026

BBT house renovation
ðŸ”Ļ

29/01/2026

From dawn to dusk at Mitbury The Public House
WOS Architects + Estudio

(Please turn on your sound 🔈)

ðŸ“ļ Something Architecture

āļ—āļĩāđˆāļ­āļĒāļđāđˆ

Bangkok
10500

āđ€āļ§āđ‡āļšāđ„āļ‹āļ•āđŒ

āđāļˆāđ‰āļ‡āđ€āļ•āļ·āļ­āļ™

āđ€āļ›āđ‡āļ™āļ„āļ™āđāļĢāļāļ—āļĩāđˆāļĢāļđāđ‰āļ‚āđˆāļēāļ§: āđ€āļĢāļēāļˆāļ°āļŠāđˆāļ‡āļ­āļĩāđ€āļĄāļĨāđāļˆāđ‰āļ‡āđ€āļĄāļ·āđˆāļ­ WOS Architects āđ‚āļžāļŠāļ•āđŒāļ‚āđˆāļēāļ§āļŠāļēāļĢāđāļĨāļ°āđ‚āļ›āļĢāđ‚āļĄāļŠāļąāđˆāļ™ āļ­āļĩāđ€āļĄāļĨāļ‚āļ­āļ‡āļ„āļļāļ“āļˆāļ°āđ„āļĄāđˆāļ–āļđāļāļ™āļģāđ„āļ›āđƒāļŠāđ‰āđ€āļžāļ·āđˆāļ­āļ§āļąāļ•āļ–āļļāļ›āļĢāļ°āļŠāļ‡āļ„āđŒāļ­āļ·āđˆāļ™ āđāļĨāļ°āļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āļĒāļāđ€āļĨāļīāļāļāļēāļĢāļĢāļąāļšāļ‚āđˆāļēāļ§āļŠāļēāļĢāđ„āļ”āđ‰āļ—āļļāļāđ€āļĄāļ·āđˆāļ­

āļ•āļīāļ”āļ•āđˆāļ­ āļ˜āļļāļĢāļāļīāļˆāļ‚āļ­āļ‡āđ€āļĢāļē

āļŠāđˆāļ‡āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāļ‚āļ­āļ‡āļ„āļļāļ“āļ–āļķāļ‡ WOS Architects:

āļ—āļēāļ‡āļĨāļąāļ”

āđāļŠāļĢāđŒ