This Humid House

This Humid House This Humid House is a botanical design studio established in Singapore.

30/09/2026

Weโ€™re hiring! ๐ŸŒฟ

Weโ€™re looking for a Studio & Production Coordinator to join our team in Singapore.

Itโ€™s a role for someone whoโ€™s really organised, resourceful and good at making things happen. Youโ€™ll be working across the studio, production, logistics and our installations on site.

You donโ€™t need to come from flowers. You might have worked in events, theatre, hospitality, production, logistics, exhibitions, retail, or somewhere we havenโ€™t thought of. Weโ€™re really open to meeting people from different backgrounds.

More than anything, weโ€™re looking for someone dependable, practical, good with people and excited to be part of a small team doing some pretty unusual things together.

If this sounds like you, weโ€™d love to hear from you. And if you know someone who might be great for this, please send it their way โค๏ธ

Link in bio for the full role and to apply.

What happens when, instead of visiting Lunuganga, you get to stay?Most visits to Geoffrey Bawaโ€™s garden estate unfold ov...
23/09/2026

What happens when, instead of visiting Lunuganga, you get to stay?

Most visits to Geoffrey Bawaโ€™s garden estate unfold over a 90-minute tour. This November, we have four days.

Time to see the garden early and late. To return to the same path and find it different. To experience what weather, light and simply spending more time in a place can reveal.

That time is central to ๐™Ž๐™ฉ๐™–๐™œ๐™ž๐™ฃ๐™œ ๐™ฉ๐™๐™š ๐™€๐™ฃ๐™˜๐™ค๐™ช๐™ฃ๐™ฉ๐™š๐™ง. We look before we make. And over two workshop days, what we notice becomes the starting point for temporary botanical interventions made with discarded material gathered from the estate.

Nothing is made to remain. The making is simply another way of looking.

๐—ฆ๐˜๐—ฎ๐—ด๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ฒ ๐—˜๐—ป๐—ฐ๐—ผ๐˜‚๐—ป๐˜๐—ฒ๐—ฟ
๐Ÿญ๐Ÿดโ€“๐Ÿฎ๐Ÿญ ๐—ก๐—ผ๐˜ƒ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ
๐—Ÿ๐˜‚๐—ป๐˜‚๐—ด๐—ฎ๐—ป๐—ด๐—ฎ, ๐—ฆ๐—ฟ๐—ถ ๐—Ÿ๐—ฎ๐—ป๐—ธ๐—ฎ

In collaboration with the Geoffrey Bawa Trust.

Early Bird rates end 27 September.

For the full itinerary and reservations: [email protected]

Images copyright of the Geoffrey Bawa Trust. Photographs by Banuka Vithanage.

Sowon and Odom, February 2026Images: Jovian for This Humid HouseDesign: This Humid HouseFloral Partner: solcreative.khCe...
22/09/2026

Sowon and Odom, February 2026

Images: Jovian for This Humid House
Design: This Humid House
Floral Partner: solcreative.kh
Ceremonial Specialist: Seilboth Lorn
Traditional Ceremony:
Production: Hailong Event
Videography: ๐—Ÿ๐—˜๐—ชโ€™๐—ฆ.๐— ๐—˜๐——๐—œ๐—”
Music: Vanthan
Lighting: Bella Panggabean LX ON-SET
Drone ๐ŸŽฅ: Jovian and cantfindthis for This Humid House

21/09/2026

For posterity, a supercut of TikToks from Sowon and Odomโ€™s wedding. We were thrilled to see the celebration take on a life of its own on Cambodian TikTok, filmed and shared from every angle: flowers, ceremonies, outfits, entrances, performances, tiny details, and moments we somehow missed ourselves.

What we loved most was seeing what caught peopleโ€™s eyes. After months spent considering every detail, here was the wedding reflected back through hundreds of other perspectives, with moments we had laboured over becoming other peopleโ€™s favourites too.

Chaotic, joyful, and an absolute pleasure. ๐Ÿฅน

Design: This Humid House
Floral Partner: solcreative.kh
Traditional Ceremony: แž–แž–แžทแž›-Popil KhmerArts
Production: Hailong Event
Music: Vanthan
Lighting: Bella Panggabean LX ON-SET

A storybook-perfect arch (and sunset) on the lawn for S&W ๐Ÿถ
07/06/2026

A storybook-perfect arch (and sunset) on the lawn for S&W ๐Ÿถ

01/06/2026

Counting down the days to REINVENTION ้‡ๅก‘ โ€” our summer workshop in Shanghai with .

A few glimpses from past journeys through Chinaโ€™s extraordinary flower markets, where so much of our process begins: with noticing.

Thank you for the shoutout!
Last few spots remaining. Link in bio~

For Vesak Day, we return to the lotus. ๐ŸชทIn ๐˜›๐˜ฉ๐˜ฆ ๐˜Ž๐˜ช๐˜ข๐˜ฏ๐˜ต ๐˜“๐˜ฐ๐˜ต๐˜ถ๐˜ด๐˜ฆ๐˜ด (1960), Zhang Daqian (ๅผ ๅคงๅƒ) enlarges the flower to monumenta...
01/06/2026

For Vesak Day, we return to the lotus. ๐Ÿชท

In ๐˜›๐˜ฉ๐˜ฆ ๐˜Ž๐˜ช๐˜ข๐˜ฏ๐˜ต ๐˜“๐˜ฐ๐˜ต๐˜ถ๐˜ด๐˜ฆ๐˜ด (1960), Zhang Daqian (ๅผ ๅคงๅƒ) enlarges the flower to monumental scale. Spanning six panels and more than eight metres in length, the work creates a world of its own.

The lotus was a lifelong subject for Zhang, who cultivated the plant himself and returned to it repeatedly in his paintings. Here, the lotus becomes architecture. Leaves and flowers sweep across the composition with a tectonic presence.

A flower long intertwined with Buddhist thought, rendered at a scale that asks to be encountered rather than simply observed.

Wishing a peaceful Vesak Day to all who celebrate.

Images by Wang Zhiyi, courtesy of Musรฉe Cernuschi. Video via Sothebyโ€™s.

For S&W, enchantment via a soft invasion of ivy and light at the iconic CHIJMESโ€”a green grove moulded into the nave of t...
24/05/2026

For S&W, enchantment via a soft invasion of ivy and light at the iconic CHIJMESโ€”a green grove moulded into the nave of the church, with vows exchanged beneath a chandelier of orchids.

Dreamt up together with , architect of dreams ๐Ÿ’ญ

Just before the procession: a flurry of marrow and pistachio, folded into precious posies of orchids, amaranth and sarra...
24/05/2026

Just before the procession: a flurry of marrow and pistachio, folded into precious posies of orchids, amaranth and sarracenia.

With for S&W at CHIJMES

A year ago this week, we were deep in the build at Chelsea, working alongside neighbours we admired enormouslyโ€” , and ...
23/05/2026

A year ago this week, we were deep in the build at Chelsea, working alongside neighbours we admired enormouslyโ€” , and among themโ€”each booth slowly becoming its own strange universe over the course of the week.

Tabula Rosa was our contribution to that conversation. A tropical landscape that sat somewhere between seduction and unease.

What feels especially striking looking back is how differently everyone approached the language of flowers, and how much space there still was for those differences to coexist side by side.

As this yearโ€™s show comes to a close today, we wanted to share a few works we especially enjoyed following from afarโ€”Wagner and Fridaโ€™s continued openness and experimentation, โ€™s wonderfully eccentric installation at Museum of Curiosities, and the many flower friends whose generosity, curiosity and distinct ways of seeing continue to make this world feel expansive and alive.

Part of what continues to make Chelsea interesting to us is the way it can still accommodate very different ideas about what flowers are for, and what they might be capable of expressing.

Images courtesy of

Address

94C Jalan Senang
Kampong Eunos
418470

Website

Alerts

Be the first to know and let us send you an email when This Humid House posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to This Humid House:

Shortcuts

Share