Deception

04/03/2026

A dialogue between centuries. In our latest iteration of the Parasite Series, we’ve moved from static structures to biomorphic armatures. It’s an evolution of form where the past provides the foundation and the future provides the movement.

The spine of the future meets the soul of the past. Ancient stone and new mechanical exoskeleton.

24/02/2026

THE ARCHITECTURAL PARASITE
This intervention serves as a physical manifestation of the clash between Regionalism and Global Modernism. By grafting a high tech, carbon fiber skeletal system onto the historic masonry, the project critiques the way contemporary “global” aesthetics often feed upon and eventually suffocate local heritage.

The parasite does not integrate it colonizes. It uses the gate as a mere structural host, mirroring how modern urban development often views historic sites as static backdrops rather than living repositories of identity

Architectural Impact:
The intervention creates a spatial paradox. While the public may be drawn to the fluid beauty of the silk and the precision of the carbon fiber, they are physically distanced from the brickwork that defines their history. The “Parasite” grows, spreads, and eventually dominates the silhouette of the gate, forcing the viewer to confront a vital question: At what point does the fascination with the modern lead to the total erasure of the vernacular?

19/02/2026

The Mechanical Parasite breathing on a brick host. We used translucent red silk to wrap a carbon-fiber exoskeleton, creating a “biological” heartbeat attached to a cold, industrial chimney. At Golden Hour, the silk bleeds light, turning a mechanical attachment into a sanctuary. Tactile tension. Mechanical bite. Urban survival.

17/12/2016

Katas raj temples
Chakwal

11/12/2016

11/12/2016

Kareemabad
Hunza

11/12/2016

Attabad lake

15/07/2016

Hill side
| کوئٹہ |

08/07/2016

Spin karaiz
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