Theo Fernandez

Theo Fernandez Based in Belgium //
Gaffer/Best Boy/Programmer

01/03/2026

For Julien Hosmalin’s short film “Girls”, part of the preparation focused entirely on rebuilding the location in 3D before the shoot.

Unable to attend the technical scout, I reconstructed a section of the neighborhood using Google Maps references, modeled the environment in SketchUp, then imported it into Capture for previs. This digital workflow allowed us to explore angles, volumes and light positioning within a precise virtual version of the set.

The 3D visualization became more than a technical tool. It helped the whole team project themselves into the mood of the scene and align on the visual direction early in the process. It also proved extremely practical for organizing and distributing tasks clearly once on location.

A strong reminder of how modeling and previs can shape both creative intent and on set efficiency.

For Julien Hosmalin’s short film “Girls”, one sequence required transforming a remote, abandoned gas station into a dark...
23/02/2026

For Julien Hosmalin’s short film “Girls”, one sequence required transforming a remote, abandoned gas station into a dark, stylized night universe.

With no practical street lighting and no possibility of working from height, the approach relied entirely on ground-based units integrated into the environment itself, shaping a controlled and cinematic atmosphere.

Astera Titan, Hyperion, Helios, AX9, AX10 and Creamsource Vortex8 fixtures became part of the set design, programmed across two DMX universes and controlled via Blackout Console.

Unable to attend the technical scout, I reconstructed part of the neighborhood using Google Maps references, built the layout in SketchUp, and imported it into Capture for previs. This 3D preparation proved invaluable, allowing close collaboration with cinematographer Bertrand Marin and refining our visual language well before the first night of shooting.

Two demanding nights on location, made possible by an exceptional team.

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