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Patternshop* is an Architectural Practic

10/10/2026

Alejandro Aravena, the architect who builds equality. What if architecture could become a tool for social equality?
Born in Santiago, Chile, in 1967, Alejandro Aravena founded Elemental in 2001 with a clear ambition: to use architecture to address some of society’s most difficult challenges, from affordable housing to post-disaster reconstruction.

His approach is simple but radical: build better with less, and involve the people who will live there.

His most famous idea is “half of a good house.” Instead of providing families with a small, finished home, Elemental builds the essential half, structure, kitchen, bathroom and living spaces, while leaving the other half for residents to complete as their resources allow.

The Quinta Monroy housing project in Iquique became a landmark of this approach. It transformed limited public funding into homes that could grow with their inhabitants, while keeping families connected to the city rather than pushing them to its margins.

After the 2010 earthquake and tsunami in Constitución, Aravena and Elemental took the same participatory approach to urban reconstruction. Rather than simply building a massive sea wall, they worked with residents to rethink the waterfront through public space, forests and flood protection.

For Aravena, scarcity is not only a constraint. It can become a discipline for better design: remove what is unnecessary, focus on what matters and make every decision count.

In 2016, he received the Pritzker Prize for an architecture that places social responsibility at the center of the profession.

His message is powerful: architecture should not simply design buildings, it should create opportunities.

// 9 years in business and loving every minute of it. Business ownership is in my blood - with my parents, grandparents ...
10/10/2026

// 9 years in business and loving every minute of it.

Business ownership is in my blood - with my parents, grandparents and great grandparents leading the way.
I am incredibly grateful for my fabulous Patternshop* team as well as my loyal clients over the years.

Here’s to many more fabulous projects, big and small.

Thanks for the feature NSW Small Business Commissioner 🙌

// Huge milestone achieved! ✨ We are thrilled to announce that the Construction Certificate (CC) has officially been app...
28/09/2026

// Huge milestone achieved! ✨ We are thrilled to announce that the Construction Certificate (CC) has officially been approved for Stage 1 of the M|Arts Precinct - flood resilience works.

We have been busy bees on the ever-expanding M|Arts Precinct over the past seven years during our time as Principal Architect. After three dedicated years in design, planning, and authority approvals, we are incredibly proud that this final CC application has now been approved by PCG PC Group - Certifiers 📐
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This is a highly complex adaptive re-use site, balancing strict heritage requirements, structural flooding constraints, and intricate design solutions.

These vital works, funded by the NSW Government Create NSW will ensure long term flood resilience for the precinct and its vibrant community of artists.

Along with the Red Shed works happening adjacent (also designed by patternshop*), the future is looking bright for the Murwillumbah C*D. Well done to the team for navigating this massive milestone!

We couldn’t be prouder of the team and the design we’re delivering for the Tweed region.

Next stop: Construction. 🔨

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Architectural Design: patternshop*
3D Renders: patternshop*
Funding body: NSW Government Create NSW
LGA: Tweed Shire Council
Principal Certifying Authority: PC Group - Certifiers
Town Planner: NDC
Heritage Consultant: Heritage 21
BCA Consultant: @ Blackett Maguire + Goldsmith
Access Consultant: purelyaccess
Fire Engineer: @ Innova Fire
Structural Engineering: Alderson Associates
Environmental: HMC Environmental

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// Teshima Art Museum by Ryue Nishizawa / SANAA in collaboration with artist Rei Neito.A profound space for contemplatio...
28/09/2026

// Teshima Art Museum by Ryue Nishizawa / SANAA in collaboration with artist Rei Neito.

A profound space for contemplation on the connection between architecture, art, and nature.
The concept of “Almost nothing” - yet offering human scale amidst the simplicity.

We were fortunate to visit on a rainy day.

Photos 📸: Rebecca Whan

23/09/2026

// Testing seasons, sun angles. From the drawing board to the 3D model to the real thing.

Always tricky when the primary facade faces west - but the batten screens have worked well, and provide ever changing movement & life.

Architectural design by Patternshop*

// “In Practice” for 25 years //View from the desk of my first architectural practice - a quarter of a century ago. Less...
22/09/2026

// “In Practice” for 25 years //

View from the desk of my first architectural practice - a quarter of a century ago.

Lessons learned and what has not changed. 📐
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Back then we had no internet for “web surfing”. Just for email. We made calls on landlines. We wrote letters to clients and printed them out on the little printer you see in the photo. Drawings were plotted on the A0 plotter out the back. And then scanned back in on a similarly supersized scanner. We used paper. Lots of it. 🗞️ Plain paper. Butter paper. Trace paper. Baking paper. We took site photos on film, had them developed, and then pasted them into our site reports.

Architecture was about stories, landscape, light, humans, and what you wanted to feel in a space. Anything was possible.
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The profession has changed. But not as much as people might think.
The ‘foundation’ is still the same… only the tools have changed a little. Architects like tools. We learn and adapt quickly. We love to explore innovation and new technology.

But our training - our eye, our understanding of process, of form, of delight - has stayed with us for millennia and will continue.

We still gather to discuss a detail that excites us, a beautiful shadow cast at different times of the day. A little less talk about the power of a good section. More talk about “relationships”. We are an odd bunch really. But we love our “job” - because it’s a passion.

“Still in practice”.

So. Let landscape lead. Let the light and shadow we know so well carve out space for healing, growing, playing, learning. Architecture impacts us all, every day. It’s a privilege to work in this space.

Above all - stay curious. Keep drawing. ✍️
//
Thanks to:
Marosszeky Architects (Pete, Matt & Dave)
Aedas Architects
Studio505
Jackson Teece Architects

// Sometimes we overcomplicate our understanding of our environment. Connect to the human scale and you connect to the h...
19/09/2026

// Sometimes we overcomplicate our understanding of our environment. Connect to the human scale and you connect to the human being.
We pass through a space that feels ‘right’ without thinking…. But a space that feels ‘wrong’ jars your very essence.
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Playing with light and shadow on a physical model. Boxboard, foamcore, plywood.
Adaptive reuse & urban design thesis project - cultural & community.

// What is this strangely beautiful object?…Does the story behind it matter?//Would you believe you are looking at the n...
17/09/2026

// What is this strangely beautiful object?
…
Does the story behind it matter?
//
Would you believe you are looking at the negative space of a concert grand piano - one of the best instruments in the world - designed by master craftsman Wayne Stuart STUART&SONS. This is pure engineering, acoustics, and function. And yet, it is exquisitely beautiful. ✨
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What you see in this first photo - captured by Andrew Monger AJM Photography - is the raw sand mould. The intentional void.
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I have always been deeply moved by the saying that “music happens in the space between the notes”. As a piano player, music has fundamentally shaped how I see the world. As an architect, I see a profound parallel: good architecture is simply the frame for human life to unfold, to be nurtured, to grow, and to exist.
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Long before I was drafting those ‘frames’ I grew up in the Pattern Shop. Later, I used that very same shop to build my own architectural models. But the blueprints of my life go back even further.
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My grandfather was a master Moulder by trade. More than 80 years ago, he stood on a site in Newcastle and physically built our family foundry, post by post, trust by truss - alongside his own father - a Newcastle builder.
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For over 70 years, that massive steel and corrugated iron structure breathed fire and grit into our industrial city. To a young girl, it was a terrifying, intimidating place. Pour days were loud, hot, and overwhelming. I felt privileged to witness them but I never fully appreciated then that what they were making amidst the dirt and sand was precision art.
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In a groundbreaking partnership, Wayne Stuart collaborated with the Dept of Mechanical Engineering at the University of Newcastle, Australia to design a structurally revolutionary cast iron frame. It required an almost incomprehensible level of precision to withstand up to 30 tonnes of immense string tension, providing the bedrock for a world-first 102 and 108 key range.
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Before the gates closed in 2012, our family foundry hand-cast exactly 60 of these SGI acoustic frames. Wayne told me recently that across all 60 castings, there were “zero issues”.
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(Story continued in the first comment below…. 🎹📐)

// Changing seasons and adaptive reuse on the heritage-listed Regent Theatre in Murwillumbah. //A heavily constrained si...
08/09/2026

// Changing seasons and adaptive reuse on the heritage-listed Regent Theatre in Murwillumbah.
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A heavily constrained site also provides many opportunities for a new vision. This side facade of the theatre has become a new public address - which leverages the relationship with the main town park adjacent, and provides an introduction to the art deco theatre and overall precinct.
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Corten steel has been used to offset yet complement the original theatre materials and features.

Architecture by Patternshop*

// Like every modern office we use all the computer technology available to bring a building into realisation. However e...
04/09/2026

// Like every modern office we use all the computer technology available to bring a building into realisation. However every project in our office still starts with a hand sketch and then the drawing board.
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There’s something about drawing on butter paper with a heavy 6B pencil, organising the site, the hierarchy between key elements, becoming absorbed into the ‘feeling’ of the design outcome, that you simply can’t replicate with any computer technology.
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These are a few process sketches and drawings from a new house in the countryside, Northern NSW. The client particularly loved the messy yellow trace sketch - even though that’s the most abstract of them all. She loved the feeling behind it, and it made sense to her.
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No sketch or design thinking is complete without a section drawing. These are developed hand in hand with the plan and never as an after thought.
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Once the sketch goes onto the drawing board you’re then analysing the design and space constantly in relation to the human scale. You are very present with the design moves and continually assessing the micro along with the macro. On a scaleless computer screen this is not possible to do.
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Sketch design is all about process. Process of site interrogation, exploration, development. It’s a tool but it’s also the outcome. And it’s a joy.

Address

2-4 Commercial Road
Murwillumbah, NSW
2484

Opening Hours

Monday 8:30am - 5:30pm
Tuesday 8:30am - 5:30pm
Wednesday 8:30am - 5:30pm
Thursday 8:30am - 5:30pm
Friday 8:30am - 5:30pm

Telephone

+61405954906

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