Markowitzdesign

Markowitzdesign Architecture ▪ Fine Furniture ▪ Lighting
www.markowitzdesign.com Offering bespoke architectural services, fine furniture and custom hand-crafted lighting.

An Award-Winning interdisciplinary design studio located in North Melbourne, run by Adam Raphael Markowitz. The studio revels in the joy of materials and a passion for physicality in design. Adam Raphael Markowitz holds graduate degrees in both Architecture and Furniture Design, and has attended graduate schools of design & craft in Melbourne, Hobart, The Netherlands (TUDelft) and Denmark (The Roy

al Academy). Adam brings a multifaceted, interdisciplinary approach to design, with over two years of professional experience in the field of architecture, complimented by graduate studies at schools of furniture design/woodcraft in both Tasmania and Denmark. Exposed in those schools to fine craft and traditional joinery, he has developed a design philosophy that values the intimate connection between design and fabrication, and the new opportunities found at the intersection of modern digital processes and traditional methods of craftsmanship.

After Taliesin West we drove north to visit one of FLW’s former apprentices - Paolo Soleri’s experimental ‘arcology’ Arc...
30/07/2026

After Taliesin West we drove north to visit one of FLW’s former apprentices - Paolo Soleri’s experimental ‘arcology’ Arcosanti . A pioneer of ecologically conscious design. The sand-cast structures were fantastic. Mounds of earth were built as concrete formwork, carved and covered with pigment that the concrete then absorbed, with the earth being dug out. There was a sense of sadness and almost post-apocalyptic feel to arcosanti. It was like standing in the ruins of an ancient civilisation, though its peak was 40 years ago and many still live there. Designed to accommodate 7000, it reached about 250. Now there’s a dozen - the cafe had closed, farming had ceased, and the music festivals hadn’t happened in years. Hard to tell if it’s in a period of transition or decline. The whole thing seemed to be fuelled by the intense energy of Soleri, gone for almost 15 years. He seems like a complex figure, but no doubt a creative hurricane. Every structure and the sandcast & bronze bells they make bore traces of his (exquisite) sculptural forms, which seemed to be at odds with the communal ideals it was founded around. We stayed the night in his former studio, which was extra special being able to inhabit and explore the space over time and in different light, rather than being bustled through quickly as is typical on architectural tours.

A major influence on a recently completed project - I drove out to Phoenix AZ to visit FLW’s Taliesin West Frank Lloyd W...
22/07/2026

A major influence on a recently completed project - I drove out to Phoenix AZ to visit FLW’s Taliesin West Frank Lloyd Wright Foundation , passing through the Mojave into the Sonoran Deserts.

The massing, detail and craft were of course incredible - surprises included the colour and the fairly rudimentary nature of the build (all built by the apprentices). The part I didn’t quite appreciate until I got there (I’m sure old prof Miles Lewis would be furious) was that the whole thing was designed to operate as a tent with the ceiling packing down and the structure being left to open to the elements over the summer, when they’d head back to Taliesin East.

We also fell in love with the Mojave driving through Joshua tree - it was like another planet. For those who’ve asked, I’m not still in the US - this trip was in late April/May after teaching at Center for Furniture Craftsmanship - just getting around to posting now.

After Nakashima, I flew over to the other side of the country and finally got to Palm Springs, and managed to get into F...
16/07/2026

After Nakashima, I flew over to the other side of the country and finally got to Palm Springs, and managed to get into Frey House II via . Almost a Tiny House in terms of scale - the efficiency of space, use topography, the mad max detailing, the giant bloody boulder… brilliant.

And finally I made it to the hallowed ground of the Nakashima studio.  only an hour away from Wendell Castle! He’s been ...
09/07/2026

And finally I made it to the hallowed ground of the Nakashima studio. only an hour away from Wendell Castle! He’s been important to me in many ways, like Aalto he spanned furniture and architecture but fell rather more heavily into the camp of craft & studio woodworking. Alas, no photos allowed inside! I took a lot away, and I think I’m still processing it all. Probably the thing that struck me the most was the playful imperfection of everything - both the furniture and the architecture. I think there is a cult of perfection built up around studio woodworkers, particularly Nakashima, but to me the work - both furniture and architecture - was far more about the ideas than the ex*****on. The ex*****on was of course done very well, but perhaps not with the fetishised perfection that entered the canon after him. I think that can be a bit of a (perfectly half lapped) cross to bear sometimes. That’s my own take, as someone who sits in both furniture and architecture camps, and can often feel like an outsider in both. You can throw a whole life at either endeavour and still not master them. So I walked out of Nakashima home & studio with a lightness seeing someone who didn’t let that slow him down.

Next up on the bucket list tour of the USA was a visit to the  . The granddaddy of Studio Furniture, if you aren’t famil...
02/07/2026

Next up on the bucket list tour of the USA was a visit to the . The granddaddy of Studio Furniture, if you aren’t familiar with his work, you should be. A master of craft and detail. For the architects, the workshop building (blue) was a collaboration with Louis Kahn, but the house was all Esherick. The tour guide was excellent 👌 Esherick was a master of curvature and line, and I can see his work echoing through a number of others that I admire, and to my own work. The house was full of moments of play and thought bubbles scattered throughout. There was an iconoclasm that I’d associate more with the likes of Frank Zappa than any other designer that comes to mind. He just did whatever the hell he wanted. There was a relentlessness and a madness to the work. I loved it.

I finally made it out to see   earlier this year after finishing up teaching at  . It was mostly, but not entirely out o...
30/06/2026

I finally made it out to see earlier this year after finishing up teaching at . It was mostly, but not entirely out of scaffolding. I wish I could’ve spent a little longer in there to take it all in, the tour herded us through like cattle... The spaces were smaller and more intimate than I was expecting, possibly due to experiencing it through too many fish eyed architectural lenses. The fine grain craft detail was everywhere. Hard to put 1936 into context.

Some (better) photos taken by assistant Joseph Flynn of my recent class teaching alongside  at  .The class followed the ...
15/06/2026

Some (better) photos taken by assistant Joseph Flynn of my recent class teaching alongside at .

The class followed the form of a Beaux-Arts style charrette - short, intensive design exercises with limited parameters to get the students to work repetitively through the design process itself, and understand the design as a network of interrelated decisions, and the skill in design as being the ability to navigate that decision making process.

There was a huge spectrum of experience levels, with some students having had previous design training, while others having never considered it at all previously. Being 5 months in to the training program, everyone had good competency in the workshop.

Still dusting myself off flying into the middle of Design Week from the USA, where I’d been teaching a 5 week design foc...
07/06/2026

Still dusting myself off flying into the middle of Design Week from the USA, where I’d been teaching a 5 week design focused class as part of the 9 month comprehensive program at alongside head teacher , the second time teaching this segment. Such a privilege to head back to my old school, see old friends, make new ones and just be immersed for a short time in a world completely focused on excellence in the craft. Thanks to all the students who patiently put up with my derived curriculum which is a bit of a change of affairs after 5 months doing capital W Woodworking with the likes of .h.harris and . There were no beach balls this time, but we did have some Blair witch stools getting made at one point…

Hyperbolic ChairStainless steel rodUsing the Parabolic Hyperbola, this chair appears doubly curved but contains only str...
18/05/2026

Hyperbolic Chair
Stainless steel rod

Using the Parabolic Hyperbola, this chair appears doubly curved but contains only straight structural elements. Sitting on this chair allows the body to form itself to these implied curves. The chair can be sat on perpendicularly; or lengthwise, where the curve supports the back like a hammock.

Fabricated in stainless steel by Robert Hook

Revising a concept originally developed while a student at in 2012 while undertaking “One Chair a Week” class.

Now showing at 100 Chairs
Thanks to the fellas that don’t appear to sleep for once again pulling it all together .associates .hardiman

100 Chairs runs at South Magdalen Laundry
Abbotsford Convent until the 24th of May. I’ll be taking part in a floor talk lead by on Saturday.





Photo credits -
Ingrid Rhule - Creative Director & Photographer
Ellen Keillar - Creative Director & Producer
Mark Harper - Lighting and Technical Director
Chad Weerasighe - Technical Support and Video Production
Kayell Australia & Boncolor - Lighting Equipment

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